Picturing Justice, the On-Line Journal of Law and Popular Culture



Lev Ginsburg
is an associate practicing entertainment law in Los Angeles at the law firm of Kleinberg Lopez Lange Cuddy & Edel, LLP. He can be contacted by e-mail at: levgins@earthlink.net



 

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Rita was pointless. She's simply a cardboard cut-out "bad lawyer," hewn out of the same withered, moth-eaten cloth as so many other two-dimensional screen lawyers who do nothing to inform audiences of what the real life practice of law does, can, and/or should look like. I Am Sam could have been a great opportunity for filmmakers to explore the complicated personal and legal issues that factor into a lawyer's representation of a developmentally disabled client against a backdrop of serious child custody issues.


Feature article

Play it again, Sam: The depiction of law practice in I AM SAM

by Lev Ginsburg

When I decided to watch I Am Sam, I had no idea that the film included an attorney character. Michelle Pfeiffer plays the film's pivotal attorney, Rita, who represents Sam, played by Sean Penn, in a proceeding to retain custody of Sam's seven- year-old daughter, Lucy. Within the film's first minutes, I quickly realized that seeing the film through to its end would require me to endure over two hours of Pfeiffer's caricatured portrayal of the clichéd "bad attorney." (1) Had I known in advance, I'd have probably skipped the movie entirely.

To remark that Rita is yet another boringly predictable, frenetic, educated professional would be one thing; both the Hollywood renderings of such folks and the folks themselves are often amusing to observe. In addition to rehashing those hackneyed banalities, however, Rita presents audiences with yet another rendition of the unethical, unprofessional, and downright rude litigator who'll stop at nothing to win her case. We've seen all of this before.

There's nothing new in I Am Sam. The script itself --which rather pithily combines the structure of Kramer vs. Kramer with only the most embarrassing histrionics of Rain Man, minus the charms and wit of both -- is as familiar as the ubiquitous blond-haired, blue-eyed über-child who's full of hyper-articulate insights beyond her years.

Sam approaches Rita when he learns that the Department of Child & Family Services ("DCFS") is going to move to have Lucy taken from Sam and placed into foster care. (Lucy is approaching Sam's "mental age," and the DCFS is concerned that Sam will soon be unable to properly care for her.) Among Rita's ethical and professional lapses within the first few moments of her screen time are the taking of several phone calls during her initial consultation with Sam, and then her declining Sam's representation request on the grounds that Sam wouldn't be able to afford her rates before quoting those rates to him.(2) In a fit of rage, Rita brings the scene to a close by kicking a metal bowl full of candy directly at her assistant, showering Sam and the assistant with jellybeans.

Additionally, Rita lies to both her children and to her clients.(3) In a desperate attempt to get Sam out of her office, Rita explicitly claims that she is unfamiliar with the practice area involved in Sam's case.(4)

Rita arrives late for her various appointments event though she drives erratically and breaks several traffic and parking laws.(5) One appointment she never shows up for, however, is the one between Sam (now officially her client) and the DCFS-selected expert therapist. At this meeting -- during which the therapist intends to interview Sam in order to provide an opinion to the court on the DCFS's behalf with respect to Sam's fitness as a primary caregiver -- the therapist informs Sam, in rather traditional lawyerly terms, that the usual doctor-patient privileges do not apply to this session, and that talking to her will "waive" those privileges. Sam is clearly depicted as having no idea what this means. As he ponders the therapist's statement for a moment, he decides that the therapist is asking him to wave at her so their session can begin. He waves to her, and the session begins. Sam proceeds to give up all sorts of damaging information about his condition that the therapist eventually uses against him in court.(6)

It is said that when dealing with a developmentally disabled client, an attorney is to try to maintain a normal attorney-client relationship as much as possible.(7) Sam is clearly beyond the point at which this relationship should have been established or maintained without the assistance of someone who has been professionally trained to deal with folks in his situation.(8) Folks like Sam often require specific training and expertise in order to properly and ethically determine and then present their interests and abilities to a tribunal. To this end, attorneys are expected to associate competent co-counsel to effectively represent such a client when they're not used to representing such clients.(9) Rita does nothing of the sort.(10)

Rita's own in-court conduct evidences her unfamiliarity with the rules of evidence, and/or her desire to influence the tribunal using improper objections and irrelevant assertions. For example, Rita issues an objection to the government's line of cross-examination based on the fact that the government counsel lives with his mother-in-law. Whether or not this is true is of little consequence. Rita is simply trying to attack the credibility of her opposing counsel, which is certainly not at issue in the case, by making a wholly unethical and unseemly objection based on rather crudely-researched tidbits relating to his personal life. This is followed shortly thereafter by Rita's objection that Sam's condition has no bearing on "his capacity to love." Unfortunately for Sam and Rita, whose objection is quickly overruled, Sam's capacity to love is not disputed; the issue before the court is Sam's physical and mental fitness for parenting.

Finally, Rita's advocacy of Sam becomes inappropriate advocacy of Lucy. For reasons that should be clear, Sam's interests are potentially adverse to Lucy's. In some scenes, Rita's advocating for what's in Sam's best interests against the DCFS that's seeking to place Lucy in foster care. In other scenes, Rita presents argument and evidence as to what's in Lucy's best interests vis-à-vis Sam's interests, even though Lucy is not Rita's client. To the extent that Rita's arguments on Lucy's putative behalf are ineffective, Rita is unethically damaging both Lucy and Sam's interests before the tribunal.(11) In one particularly memorable scene, Rita sits quietly as Lucy unabashedly lies during sworn testimony to the government counsel because Lucy's testimony is in Sam's interests.

At this point, you might be asking yourself, What's the point of demonstrating all the unethical and unprofessional conduct of Pfeiffer's Rita character? So was I. What was the point of creating this horribly unethical lawyer character? There was no point. Rita never grows as a character, she never reconsiders her approach to the practice of law, and she's never reprimanded or censured in any way for her professional lapses. Furthermore, the ending of I AM SAM is so ambiguous that the audience has no idea as to who ultimately ends up with custody of Lucy. As a result, audiences don't even get to make an informed appraisal as to whether Rita's questionable means at least achieved worthwhile ends.(12)

Moreover, the film could have examined in detail what it's like for such a client to engage our legal system and its various strengths and weaknesses. Instead, Sam was depicted as facing a caricature of a legal system, a sham system of almost farcical practitioners and conflicts appropriated from earlier, and more attentively-crafted, law-themed movies and television shows. Unfortunately, I fear that real-life Sams aren't often able to obtain representation that's either as good as or any better than that provided to Sam by Rita; perhaps this is I Am Sam' s only enduring comment about our legal system.



(1) For an exploration of what is takes to be a bad attorney, take a look at Michael Asimow's Bad Lawyers in the Movies, 24 NOVA L. REV. 2 (2000).

(2) Rita, experienced as she seems to be, should probably have been able to divine that Sam was seeking pro bono representation. At the very least, she should have asked.

(3) The subject matter of these misrepresentations, however, is often the same: Rita invents excuses as to why she's running behind schedule. Rita also instructs her assistant to lie on her behalf to her therapist about why Rita's late for a therapy appointment. Later in the film, Rita counsels Sam to "manipulate the truth" during his under-oath, in-court testimony.

(4) However, Rita is quite clearly engaged a lucrative and vibrant family law practice that likely makes her very familiar with custody disputes. In one scene in her ultra-hip office, for example, Rita's consulting with a couple going through a divorce. Additionally, Rita lies to Sam about losing the phone number of the attorney to whom Rita had promised to refer Sam for help with his case during an attempt to cover up any harm she may have caused to Sam's case by her delay. Rita's eventual acceptance of the representation is also conducted through a lie: in order to make herself look good in front of skeptical colleagues, Rita laughably "reminds" Sam that she had long ago accepted the pro bono representation when in fact she was clearly shown as doing almost anything to avoid working for Sam for free.

(5) Rita so flagrantly disregards parking restrictions that her car is shown being towed from a Westwood parking space visited by the author. The space is reserved for handicapped parking.

(6) While we're on the subject of privilege, perhaps Sam's unfamiliarity with the various privileges stem from his counsel's unfamiliarity with them. In one scene, Rita and Sam discuss the heart of Sam's case while seated in a restaurant booth with a handful of Sam's friends, all of whom exhibit varying degrees of mental disability. Rita has thereby created a likely waiver of the privilege with respect to that information.

(7) With serious developmental disability such as that demonstrated by Sam, Rita is probably ethically obligated to do more explaining and assisting with respect to her representation of Sam in order to comply with her ethical duty to keep her client informed. MODEL CODE OF PROFESSIONAL RESPONSIBILITY DR 6-101(A)(3); MODEL CODE OF PROFESSIONAL RESPONSIBILITY EC 7-8, 7-11, 7-12, 9-2; MODEL RULES OF PROFESSIONAL CONDUCT Rule 1.14, 1.4; MODEL RULES OF PROFESSIONAL CONDUCT Rule 1.4 cmt.

(8) For those who haven't seen the film, the average moviegoer would immediately realize that Sam needs more help than Rita can provide. For example, he's virtually unable to pay a check in a cafeteria line, and he cannot make a cup of coffee. Query Sam's ability to understand and preserve the attorney-client privilege.

(9) MODEL CODE OF PROFESSIONAL RESPONSIBILITY DR 6-101(A)(1); MODEL RULES OF PROFESSIONAL CONDUCT Rule 1.1 cmt.

(10) Nor does Rita put in the necessary time to become competent in her representation of a mentally disabled client. MODEL CODE OF PROFESSIONAL RESPONSIBILITY EC 6-3. In fact, Rita spends the entire film so oblivious to that which might damage Sam's case that she permits Sam's friends to attend court sessions and to comment on the proceedings from the public seating area. Because Sam responds to his friends with reply commentary, these exchanges are all entered into the court transcript. (For purposes of providing clarity to those who haven't seen the film, these comments and their particular manner of delivery do not create the impression that Sam is as fit for parenting as he and Rita might contend.) In another moment indicating Rita's inability to tailor her advocacy to reflect Sam's condition, Rita permits Sam to get up from behind the counsel desk and run into the witness box, where he congratulates, embraces, and caresses a witness who has just provided the court with testimony helpful to Sam's case. In light of all of these outbursts, it would probably be in Sam's best interests not be present during any of the hearings because of what these sorts of outbursts might communicate to the court about Sam's ability to parent. Had Rita associated competent co-counsel or a court-approved professional consultant trained in dealing with the mentally disabled, she might have avoided these mistakes.

(11) Moreover, to the extent that Rita has Lucy's best interests in mind during her representation of Sam, is it ethical for Rita to disregard the extensive evidence that Sam can very easily be duped by Lucy, who's somehow able at all of seven years of age, to convince Sam to do all sorts of things in violation of restrictive orders placed on Sam's contact with Lucy by the tribunal?

(12) Your guess is as good as any. Different friends of mine have suggested that custody has been awarded to Sam, the foster mother (played by Laura Dern), Rita herself, or a consortium consisting of some or all of the above!

Posted April 5, 2002

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