Case 11:

Henry Miller
The Colossus of Maroussi
(San Francisco: Colt Press, 1941).
Copy 1 is one of 100 specially bound copies, signed by the author,
with an inscription by Jane Grabhorn and Bill Roth;
Copy 2 is with dust jacket, inscribed by Jane Grabhorn
Un Être Étoilique
(London: The Criterion, 1937).
Reprinted from the Criterion, v. 17, no. 66
Maurizius Forever
(San Francisco: Colt Press, 1947).
Printed at the Grabhorn Press
With illustrations by the author
Tropic of Cancer
(Paris: Obelisk Press, 1938).
Case 12:

Anaïs Nin
A Child Born Out of the Fog
(New York: Gemor Press, 1947).
Children of the Albatross
(New York: E.P. Dutton, 1947).
Inscribed by the author
D.H. Lawrence: An Unprofessional Study, with Two Facsimile
Manuscript Pages Out of Lady Chatterley’s Lover
(Paris: E. W. Titus, 1932).
The Four-Chambered Heart
(New York: Duell, Sloan and Pearce, 1950).
Inscribed by the author
House of Incest
(Paris: Siana Editions, 1936).
Numbered and signed by the author
On Writing
(Yonkers: O. Baradinsky, 1947).
Preface to Henry Miller’s Tropic of Cancer
(New York: L. R. Maxwell, 1947).
Case 13:

Eugene O'Neill
Ah, Wilderness!
(New York: Random House, 1933).
Days Without End
(New York: Random House, 1934).
Dynamo
(New York: H. Liveright, 1929).
Edition signed by the author
Mourning Becomes Electra: A Trilogy
(New York: H. Liveright, 1931).
Six Plays of Eugene O’Neill
(London: J. Cape, 1929).
Strange Interlude: A Play
(New York: Boni & Liveright, 1928).
Case 14:

Sherwood Anderson
Dark Laughter
(New York: Boni & Liveright, 1925).
Inscribed by the author
Nearer the Grass Roots
(San Francisco: Westgate Press, 1929).
Numbered and signed by the author
A New Testament
(New York: Boni & Liveright, 1927).
Numbered and signed by the author
Sherwood Anderson’s Memoirs
(New York: Harcourt Brace, 1942).
Tar: A Midwest Childhood
(New York: Boni & Liveright, 1926).
Inscribed by the author
Winesburg, Ohio: A Group of Tales of Ohio Small Town Life
(New York: B.W. Huebsch, 1921).
Inscribed by the author
Case 15:

Willa Cather
Alexander’s Bridge
(Boston: Houghton Mifflin, 1922).
Printed at the Riverside Press
Inscribed by the author
A Lost Lady
(New York: Knopf, 1923).
Copy 1 is from the large paper edition, numbered and signed by the author;
Copy 2 is from the regular edition
My Ántonia
(Boston: Houghton Mifflin,1918).
Printed at the Riverside Press
My Ántonia
(London: W. Heinemann, 1919).
Printed at the Riverside Press
Inscribed by the author
My Mortal Enemy
(New York: Knopf, 1926).
Decorations and illustrations by W.A. Dwiggins
Signed by the author
One of Ours
(New York: Knopf, 1922).
Printed at the Plimpton Press