| The
Early '70s. In order to promote
and upcoming party or just engage the crowd in a little call-and-response,
DJs often use the microphone-a la Jamaican "toasting."
In time, individuals other than DJs join in, delivering messages
in catchy rhyme form. Drawing attention not only to the message
itself, but also to how that message is conveyed, these individuals
become performers in their own right, taking their place alongside
the DJs and B-boys. Now, during the breaks in songs when B-boys
are getting busy on the dance floor, they are expected to
take five or 10 minutes to display their crowd-pleasing prowess
by reciting their original "raps." The MC is born |
THE
SOURCE: Tell us about the
beginnings of MCin'.
Grandmaster
Caz :It just evolved. There just
happened to be a microphone there necessary to make announcements,
and to acknowledge crews, knowhat'msayin? Then people started
sayin' slick stuff, or like when they said your name it would
rhyme. It evolved from there.
THE
SOURCE: How did in progress?.
Rahiem:
There
were different levels of it, like the early MC's didn't rhyme
to the beat, but they weren't really saying any rhymes. And their
rhymes didn't last for any specific amount of bars. They would
play a little to whatever beat was on. Like Kool Herc, Coke La
Rock and the [original] Clark Kent would be like, "yes,yes
y'all...to the beat y'all."
Grandmaster
Caz: As
it started getting competitive, and people started striving to
be good at it, it became an art. There was no records. It was
just for the people. I mean [rap] records started in '79, but
you know hip-hop had already been going on for the past five years.
|
|
THE
SOURCE: So how did MC's actually start
writing rhymes?
Grandmaster
Caz: I would hear you, and try to
take that to the next step, y'knowhat'msayin'? [There were] a lot
of little catch phrases and general statements that everybody said.
And then you had people who were like, "Let me flip it this
way or say it that way so it's me." And that's how you got
better: your hear somebody and then you would try and outdo them,
come a little different.
THE SOURCE:
Who were your influences?
Grandmaster
Caz:
Nobody. I was in the forefront of rhymin', you know? Nobody was
ahead of me to look at and say, "Oh! I wanna do that."
My influence in hip-hop, period, was Herc.
Rahiem:
I
used to see flyers that would say that Herc was doing a party at
such and such a place, but because I was a shorty I wasn't old enough
to attend. But the first MC that I ever heard rhyme to a beat was
either Melle Mel or Hollywood. They were an inspiration to me before
I started rhyming. That was like '76.
THE SOURCE:
What kind of rhymes were being said
back then?
Grandmaster
Caz:
Mainly, it was
just to get yourself known, knowhat'msayin?
"I'm this and I'm that, I can do this..." Then it was
a lot of party talk, a lot of party lyrics:"Say, 'Ho!' Put
ya' hands in the air...!"
Rahiem:
There was a lot
of brag rhymes. Basically the rhymes were about how dope you were
and about the party. That was pretty much it. "Lime to a lemon,
lemon to a lime, time after time... Dip dip dive, so socialize..."
Straight up party songs, no doubt. And battlin'.
Interview
by Boo Rosario |