| 1970.
An aspiring teenager DJ-recently transplanted
to the Bronx from his native Jamaica-decides to liven things
up at his next party by extending the length of a record's
"break" by combing two turntables and playing two
copies of the same record, hip-hoppin' from one turntable
to the other . Before long, the double turntable method becomes
the standard. A few years later, another teenager discovers
that he can make percussive noises by "scratching"
one record back and forth in time to the beat of the other.
The innovations made by Kool Herc, Grand Wizard Theodore,
Grandmaster Flash, Afrika Bambaataa and other like-minded
DJ's of the ear were the spearhead of an underground cultural
movement that is now recognized as hip-hop |
THE
SOURCE: What made y'all different
from other DJ's of that time
KOOL
HERC: Backing up the record using
two turntables to prolong the beats, finding certain break beats
that people were waitin' for. I came up with the "merry-go-round,"
which was a barrage of breaks that I put together. I played the
hustle, the cool-out music, for people chillin' at the bar. And
then when I called a "merry-go-round," people knew that
a lot of break beats were coming.
Grand
Wizard Theodore:
I
was the first to scratch. It's a phenomenon now. We went to San
Francisco because the International Turntable Foundation gave
me an award for creating the scratch. Now every year, the DJ at
the World DJ contest is gonna receive the Grand Wizard Theodore
Award.
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THE
SOURCE: Herc, Where was the first place
you rock with two turntables?
KOOL
HERC: 1520
Cedric Avenue in the Bronx. It was a recreation center. That place
is always going to be the first place of hip-hop. The creation.
The start of the B-boy, the two turntables and the jam.
THE SOURCE:
And Theodore, how did you come up with
the scratch?
Grand
Wizard Theodore: It
was an accident. I was in a practice session, and I was playing
the music a little loud, so my moms came and nearly broke down the
door. While she was cursing me out, I was holding the record and
it was going back and forth in the earphones. I started exploring
a little more with different records trying to make it where people
could understand it when I actually did a party.
THE SOURCE:So,
where was the first time that the scratch was heard in public?
Grand
Wizard Theodore: At
this place called Sparkle in the Bronx. It was in 1975. When I first
started doing it, everybody paused while they were dancing. Some
people walked up to the front to find out what I was doing. Other
people were partying so hard that they just kept dancing.
THE
SOURCE :What was a party like back then?
KOOL
HERC: A party was like a big community even-East Side,
West Side, South South, North Side. Back in the days, the gangs
like to terrorize the main clubs, so it went underground to house
parties. I was the guy that kinda resurrected it.
Interview
by Erik Parker |