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USF Artist "Imagines" Peace Billboard Exhibit

Trelles
Puerto Rican artist Raphael Trelles' work, along with that of 10 other international artists, will go on exhibit May 26 in San Francisco, as part of a billboard art show imagining peace.



Peace. What's it good for? And more importantly, what does it look like? That's exactly what artists from 10 countries around the world want Bay Area residents to contemplate when their work goes on display on San Francisco billboards May 26.

The larger-than-life art exhibit, "Seeing Peace: The Billboard Project," is part of the ongoing "Seeing Peace: Artists Collaborate With the United Nations" initiative by Richard Kamler, artist, curator, activist, and associate professor of visual arts at the University of San Francisco.

Artists from 10 member states of the United Nations, including South Africa, Cuba, Tibet, Iran, Ukraine, and Israel were asked to imagine what peace looks like from their unique cultural perspectives for the exhibit. What they came up with is a "road map" for people to begin their own process of visualizing "what peace could/might/can look like," Kamler said.

"The aim is to incite members of our community to imagine for themselves their own vision of peace," Kamler said. "Because, if we cannot first imagine peace, we may never make it so."

Kamler, whose work is among the 10, has been making issue-driven art since 1976 when he completed his first major installation, "Out of Holocaust," a full-sized reconstruction of one of the barracks from the Nazi-era Auschwitz-Birkenau concentration camp. He has received many grants and awards for his work, among them a National Endowment for the Arts Fellowship, a California Arts Council Fellowship, and an Alaskan State Arts Council/NEA grant.

The umbrella "Seeing Peace: Artists Collaborate With the United Nations" project seeks to bring artists' imagination to the table of the UN General Assembly by creating a multinational vision of what peace looks like. The billboard exhibit, as part of that, is a pro-active attempt to provoke a community dialogue about peace with images that include a swaddled baby in a gun sight, and a grime-covered, war tank split in half by white lilies, Kamler said.   

"Imagine, if you will, that Picasso had painted 'Guernica' before the bombs fell on Guernica," Kamler said. "Might it have been different?"

For Tibetan-born artist Jamyong Singye, taking part in "The Billboard Project" was a way of drawing on his experience of Western culture to expand his usual work within the 600-year-old tradition of Tibetan thangka painting. For this project, Singye was able to reach outside the thangka tradition, which forbids the illustration of individual feelings due to strict guidelines associated with the portrayal of religious icons such as Lord Buddha and other deities, and create his own vision of peace.

Even while incorporating his Western experience in his peace billboard, Singye, who has lived in the United States for 25 years, carried forward the Tibetan philosophy present in the thangka tradition that "whatever you do should benefit others," he said.

In his work, the Earth sits on a lotus flower, a sign of purity usually reserved for deities, as the Holy Spirit's eyes watch over mankind compassionately, Singye said. The fire that is war, hatred, and pollution, threatens from below.

For artist Raphael Trelles, whose work depicts a tank split up the middle by sprouting lilies, "The Billboard Project" was an important opportunity to not only show his work outside his native Puerto Rico, but to raise awareness about his country's colonial status.

"The images are symbolic representations of the hope of (Puerto Ricans) for the healing of their physical and emotional health, and to restore the ecological balance and natural beauty of their land," said Trelles, an affiliate of BorderZone Arts, a nonprofit serving indigenous, historically under-represented, and emerging artists around the globe.

Taking the artists' work out of high-minded museums and into the public arena on billboards is an integral part of creating a dialogue, Kamler said. "Why confine these images to the walls of a museum, when we can take them to the community and have a significant impact?"

Thoughtful in every respect, the Memorial Day opening was chosen for it's commemorative association to peace, and the remembrance of those who have died serving in the U.S. military, Kamler said.

"Seeing Peace: The Billboard Project," runs from May 26 to June 22, as a featured exhibit of the 2008 San Francisco International Arts Festival. Billboards included in the exhibit can be found at Divisadero and O'Farrell streets, Cesar Chavez Street and Evans Avenue, Mission and 17th streets, Mission and 6th streets, 22nd Avenue and Irving Street, Masonic Avenue and Fulton Street, Valencia Street and Duboce Avenue, Broadway and Montgomery Street, 3rd and 19th streets, and Judah street and 9th Avenue.

Six of the participating artists will join Kamler and members of the media and public on a May 26th bus tour of the billboards, which will include a discussion of the works. For more on the exhibit visit http://peacebillboards.org. 

 
 
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